Showing posts with label Chennai Weekend Artists. Show all posts
Showing posts with label Chennai Weekend Artists. Show all posts

Thursday, 16 July 2015

Queen Mary's College, Chennai - Centenary Celebrations


Yesterday I attended one of the events connected with the centenary celebrations of the Queen Mary's College, Chennai. This was the first college exclusively for women in Chennai and probably the third such college in India. It is administered by the Goverment of Tamilnadu which controls the purse strings and the faculty appointments. At present around 7500 students study here in two shifts.


The college was established in July 1914 and therefore the cebrations had started a year ago and were just culminating at the end of the centenary year. My wife studied here over forty years ago and has very fond memories of how it used to be then.


About a year ago she had arranged for the members of Chennai Weekend Artists to visit the campus on a Sunday morning and sketch on location. I spent most of that morning wandering around the campus and therefore made only a few quick sketches which I am posting here.. It was my first visit to the place and I was struck by the air of decay and neglect. Despite some efforts to spruce up the place in view of the occasion, that air still prevailed yesterday. 


In fact one of the guests at the function remarked to me about this and asked asked why on earth anyone in authority would want to deliberately run down the place, for that is what seems to be happening. To me the answer seems very simple and obvious. The people in power obviously do not care either about heritage or education. It must be a source of very great irritation to them that such a prime site facing the Marina Beach, and with a sea view from almost every part of the campus, is not exploited to its full commercial value.


Some years ago there was a proposal to shift the Government Secretariat to this location and relocate the college to a much smaller site. But there was enormous resistance to this idea, not only from the students and some of the staff, but also from the general public. Ultimately the court intervened and the government was compelled to drop the idea. One would have thought that the authorities in power would have been gracious enough to then take up the upkeep of the college in all sincerity, but that has not happened so far. Is it too much to hope that there will at last be a change of heart and that the government will do everything in its power to restore many of these buildings, use them appropriately so that the buildings are alive, and also maintain the grounds which have the potential to be a beautiful campus but  alas, at present, resemble a dump or a thorny scrubland depending on which part of the campus you are in? 




Saturday, 23 November 2013

Dakshina Chitra

Dakshina Chitra is a very popular heritage village located on the Southern outskirts of Chennai, on the way to Mamallapuram (previously known as Mahabalipuram). Some months ago I had visited this place with members of my sketching group (Chennai Weekend Artists). My friends were delighted with the sketching opportunities at this venue, and since then we have made two more visits to the place. I am convinced that we will be going there many more times.








During our second visit to Dakshina Chitra there was a performance by a troupe of drummers from a neighbouring state. In the short time available before the start of their performance I managed to do a couple of quick sketches of a couple of the artistes. These served as warm-up exercises to my main sketch of the day. This was a sketch of the Chettinad House. Chettinad is a small region in Southern Tamilnadu known for its local cuisine, architecture, and consequently its skilled masons, carpenters and craftsmen.

Our most recent visit was last month. This time there was a newly constructed building called the Chikmagulur House which caught my eye. It represents the type of houses seen in a certain part of Karnataka, a neighbouring state. As has been my practice over the last few months, I sketched this and the other sketches of the day directly in ink with a Hero 578 fountain pen.

My next sketch was of a cluster of thatched houses typical of rural Tamilnadu. We use different types of thatched roofing in this region. The roof in this cluster is made of river-bed reeds and is considered a higher quality of thatch roofing. The space under this type of roof is much cooler than under other types of thatch roofing which use the woven leaves of palm trees.

Villages in Tamilnadu have temples dedicated to a guardian deity. These temples are called Ayyanar Temples and the priests in these temples come from the potter community. As a result, the icons in and around these Ayyanar Temples are usually made of terracotta. Dakshina Chitra has showcased one such temple and my next sketch was of a white painted terracotta idol facing this temple.

After each sketching trip one of the members of the group posts a report of the visit and the other members then upload their sketches and photographs of the day into this thread. If you would like to see what others in my sketching group sketched on these visits please follow these links: