My Second Blog

I am very glad to say that from the day I decided to do it (towards the end of May 2012)  I have been quite regular with my "30 minute" sketches. In fact so far, on the days when I have not had the time to sketch during my lunch break, I have come home and managed to do one to keep going at almost a sketch a day. And I have been posting these sketches in my second blog to track my progress.

 I am hoping to achieve two things through this exercise: 1. To improve my quick sketching skills. My aim is to be able to sketch fast without sacrificing details (or at least the illusion of details) and to do that with a refined technique, and 2. To develop my watercolour painting skills.


Last Saturday I kept to my resolve to paint every weekend and did one small watercolour sketch - a landscape in monocolour. This one took me about 30 minutes but, when it comes to painting, I have decided not to impose time restrictions on myself since I will only be doing it at home and probably only on weekends.

 I had actually planned to do another one on Sunday but wasn't able to do that. Hopefully I will manage a cople of watercolours this weekend. Let me see...

I propose to share some (but not all) of these quick sketches on this blog too on a weekly basis. If you would like to see the rest of these quick sketches, or if you would like to know anything about the sketches that you see here, you could check out my second blog, Racing Against The Clock.

From Pen & Ink Projects and Challenges to Lunchtime Sketches

I was overwhelmed by the comments that I received for my last post and I thank all of you, the ones who appreciated my sketches and the ones who have encouraged me to take to painting and even offered suggestions on how I could get started. I have taken the suggestions to heart and soon I hope to start posting here in colour too. But, before I get to that I would like to finish what I started, which is a short account of how I have progressed to where I am today.

As I mentioned in my last post it was around 2007 or 2008 that I decided to concentrate on pen & ink. I was already a member at one online art community (WetCanvas) and I joined one more (I Draw & Paint) around this time. At both of these I started participating regularly in the monthly pen & ink projects/challenges. The drawings that you see here are some of those that I did between 2008 and early 2012 at these two communities. 

 Although I am fairly good at self motivation, I cannot overstate how much being a part of these two communities has motivated me to draw and has helped me develop my skills.

During this time I also tried my hand at watercolour a few times. These two were done late in 2010 and unfortunately, due to my lack of confidence in wielding a brush and the effort involved in setting up to paint, I have not put in the necessary time and effort since then to take my painting skills any further. Hopefully that will change now because I have drawn up an action plan to which I am publicly committing myself.

During the three months and more since my last post I spent hardly any time painting, drawing or even sketching. Finally, about two weeks ago, I decided to at least do one lunchtime sketch at work each day and post it in a new blog (to track my progress). I am happy to say that I have been fairly regular so far at this. Starting today I also plan to play with colour over the weekends and see where that takes me.

My thanks, once again, for your good wishes and encouragement.

From Graphite & Charcoal to Pen & Ink

I enjoy drawing and painting.

No, I think I should modify and also explain that statement. I draw quite often, though not as often or as much as I would really like to. And, I enjoy drawing. I usually sit down to it after dinner. There have been many occasions when I have been totally bushed at the time of starting. But once I start drawing  I lose all track of time and sometimes find that I have been at it much longer than I planned to. Invariably I feel very refreshed after such a session.

On the other hand, I would very much like to paint, but I paint infrequently. This is partly because I am still very much a beginner at it. Of course, I realise that I will always stay a beginner unless I paint. But the problem is that painting requires more of a setting up than drawing does. If it is watercolour, one needs paints, brushes, a palette or plate or dishes, a water container and so on. And at the end of the day's painting session these have to be cleaned and put away.

As a result, at least so far, whenever I have mentally tossed a coin to decide whether to paint or draw, the coin has invariably landed in favour of drawing.

When I took up drawing as a serious hobby about ten years ago I started with graphite and charcoal. My wife Nithi enrolled me in a two week portrait drawing course as a gift. The medium was charcoal & graphite. I attended the classes every evening after work, and stayed up late into the night to complete the assigments. At the end of the two weeks I was hooked and I have stayed hooked.

At the portrait drawing course - 1

At the portrait drawing course - 2

Three Pears - vine charcoal

But as I started drawing regularly I found even the degree of setting up that a graphite or charcoal drawing requires to be an inhibiting factor for me. I struggled to get the darks that I wanted with graphite. And, protecting the paper and the finished drawing were also issues. As a result I have switched to pen and ink.

These are a few of my early pen & ink drawings from around 2003 to 2007. They were mainly quick sketches using just one or two pens. During this period graphite was still my main medium, followed by charcoal. I think that it was around 2007 or 2008 that I decided to make pen & ink my main medium.

The sketch that you see of Mont St. Michael is a study copy of a drawing by Peter Caldwell. I found his book on pen & ink drawing very inspiring.

Mysore, A City Of Tree Lovers

Living conditions have deteriorated badly in most cities in India. Air and noise pollution levels have risen tremendously, as has the volume of traffic. Simultaneously these cities have also become extremely pedestrian unfriendly. In this respect some of the cities that come to mind are Chennai, where I live, and Bangalore, Kochi, Thiruvananthapuram, Coimbatore, and Hyderabad, all cities that I am very familiar with. And, I understand from my friends who are as familiar with other cities in India as I am with these, that it is the same sad story with most cities in India.

Mysore is however one city that seems to have retained its charm. I have been visiting it, though not frequently, over the last fifty plus years. Of course it too has grown and changed during this time, but unlike other cities it has not yet become an unbearably noisy and  crowded concrete jungle. Though traffic has increased, many parts of the city are still very walkable, and the pollution level is definitely very much lower than that of other cities. And, although many old buildings have been replaced by bland new ones, this city still retains many fine old garden houses that give Mysore its special character. My wife Nithi and I therefore were very happy  to spend a lot of time wandering around on foot. 

The people of Mysore seem to hold parks and plant life in special regard. There were several parks close to the hotel where we were staying. One of these parks had a very interesting gateway. On the last day of our stay I decided to go and photograph it so that I could sketch it later. I then noticed several groups of people gathered together within the park, performing rituals near various plants and trees. I continued walking past this particular park and everywhere that I went, in all the parks in  that area, there were people of all ages coming in to pay their respects to the trees and plants. I had not seen this happen before in any of the other cities. Maybe this is something unique to the people of Mysore and that perhaps explains why Mysore alone, among all Indian cities, is bucking the trend and preserving some of its charm.

A Well Spent Sunday

 Sundays are meant for making very optimistic, extravagant plans and then lying in and lazing the day away. At least that is my routine more often than not. However this Sunday was very different.

To start with I attended a class over the internet (a webinar) that started late Saturday night and ended at 3 am on Sunday. And, after a few hours of sleep we went on a long planned family sketchcrawl. My wife and daughter are very fond of sketching and painting, and this interest is also shared by quite a few in our extended family. We have driven out of Chennai on a few weekend  sketching trips in the past but this was the first time that we were doing this within the city. And this time my niece was also with us.

We had a fun time on Saturday deciding where to go and finally settled on the Marundeeswarar Koil at Thiruvanmiyur, a very old and famous temple very close to our house.We decided to spend around an hour at this venue and then drive down to a cafe for some much needed refreshments and a different type of sketching opportunity.

One of the problems with South Indian temples is that we cannot wear any footwear inside the temple precincts. The paving is usually in granite and this can sometimes be blistering hot. The four of us broke up and quickly went in search of something sketchworthy, and more importantly a convenient location to do the sketching from.

I ended up locating something that would not have been my first choice as a subject, but it had the advantage of a really quiet and shaded spot from which I could view it. In fact this spot was so secluded that many people went by without even realising that I was sitting there under some heavy foliage. 

My niece Ranjani plonked herself right along the main walkway and was soon immersed in her sketching quite oblivious to the passersby who paused and  gathered behind her to watch her at work. You can see Ranjani's sketch here.

My daughter Kalpana found a place with shade and a backrest too. It was also a spot that was rather difficult to approach and certainly not convenient for anyone to peer over her shoulder. I am sure that this must have been high on her criteria for a suitable sketching spot. Kalpana's sketch can be seen here. 

Nithi, my wife, was not to be seen anywhere. But she is a restless soul and we were sure that she would have finished several sketches in the time that the rest of us take to do even one, and that proved to be the case.

After we were done at Marundeeswarar Koil we drove a few miles South from the temple to a small but nice cafe called Tryst on the East coast Road. Unfortunately the view from our table did not offer any great sketching opportunities. But we did have a nice time there comparing sketches and having some nice stuff to eat and drink. Between gulps I managed to do this quick sketch of Nithi.

 I am adding this bit on Friday 9th Dec, a couple of  days after I had posted my sketches and photos. I finally managed to get Nithi's consent to put up her sketches too. One of her sketches is of a mandapam (shelter)  facing the Amman (lady deity) shrine. Her second sketch is of two fruitsellers engaged in conversation. Nithi does these in no time at all and then moves on to other things that catch her attention.

Near The Mysore Palace

As we were walking from Sri Jayachamarajendra Art Gallery towards The Mysore Palace my wife and I noticed that there were very few new buildings along the route that we took. Most of the buildings built in the style to resonate with the Mysore Palace had been retained, though they were not well preserved. One of the buildings that we walked past housed a mutt. A mutt or math is a Hindu monastic religious establishment. The sketch that you see here is of this building.

 Most of the buildings however appeared to have been let out for commercial use. Nithi made the observation that one could see a marked difference in the way buildings occupied by a single entity were much better than those rented out to multiple owners. She was right. the buildings with multiple shops were certainly run down and the common spaces and gardens around them were all shockingly unkempt. Moreover the signages were all put up any which way as each shop owner tried to outdo the others.

In contrast, the buildings occupied by larger organisations looked reasonably well cared for and the gardens surrounding them looked tended. Of course, when the time comes to get a tenant to vacate, it is perhaps easier to persuade a smaller tenant to move. But then, there would be so many of them to deal with. So I guess it cuts both ways.

One of the buildings that we passed by was occupied by a national telecom comany. I found the building attractive and this is a sketch of the cupolas over it.

Sri Jayachamarajendra Art Gallery, Mysore

Recently my wife Nithi and I went on a brief sketching holiday to Mysore, one of the cleanest cities in India. The weather was extremely kind and it was very pleasant to be outside. We had made up our mind not to do the normal tourist circuit and instead confine ourselves to walking around the shady streets, taking in the streetscape, and streetside activities.

Jaganmohan Palace

 However, we were tempted to travel a bit from where we were staying to visit the Sri Jayachamarajendra Art Gallery since we had heard that this gallery had a collection of prized paintings and artefacts that was worth seeing. The art gallery is located in the Jaganmohan Palace which was built in 1861 when the original Mysore Palace was gutted in a fire.The royal Wodeyar family used the Jaganmohan Palace as their home from 1861 to 1912 when the construction of the present Mysore Palace was completed.

 

Sri Jayachamarajendra Art Gallery

 

A visit to the Sri Jayachamarajendra Art Gallery is a must for anyone who wishes to learn how not to run a gallery. First of all, the building does not lend itself easily to this usage. The display is spread over three levels (floors) and even on each floor there are level variations where vistors have to negotiate several steps. And, there are no elevators or ramps to negotiate any of these level differences.

The paintings and artefacts are not displayed to advantage. They are badly positioned with no consideration given to the appropriate distance from which paintings of different sizes should be viewed, and the heights at which they should be hung to be viewer friendly. The lighting is absolutely terrible and is in fact by itself a great source of irritation and an impediment to the viewing of the paintings.

Worst of all is the condition of the paintings themselves. Many of the paintings appear to be torn and damaged. Some restoration work appears to have been attempted on a few of the paintings, but this has been done very incompetently. Mysore is a place which receives a lot of rainfall and yet there is no protection for the paintings and art objects in this gallery from dust and humidity.

That morning we had set out from our hotel very eagerly expecting a treat and instead we came away from the gallery feeling very depressed and angry with the gross neglect and inefficency of whoever was in charge of this place.